Head of Content · Application

"Danielle,
is everything okay?
I'm worried."

That was in my inbox because the newsletter was a few hours late. That's not an engagement metric. That's what it looks like when content actually matters — and that's the only bar I know how to build to.

Why me. Why Ramp. Why now.

Ramp is trying to do something most companies only talk about — build a media operation so trusted, so sharp, that the people running finance at the best companies in the world seek it out. Not because they have to. Because it's that good.

That's a harder job than it sounds. It requires someone who understands finance deeply enough to earn the room, and understands media well enough to hold the attention once they're in it.

I spent years in fixed income research learning how finance people think and what they take seriously. I spent two years at Founderpath building content specifically for founders and CFOs — the people on Ramp's homepage. I know what resonates with that audience because I've watched them engage, ignore, share, and ask for more.

I've been building toward this role for 15 years without knowing it existed. Now that it does, I can't imagine building it anywhere but Ramp.

1M+
Followers built for
Mel Robbins on Instagram
$1M
Revenue as GM of
SaaSOpen at Founderpath
7,500+
Downloads for Exit Five's
salary report in 2 months
135%
Newsletter list growth
at Exit Five
Ramp card
The product · The mission · The moment

The builder backstory

I started my career analyzing municipal bond ratings at Standard & Poor's, then moved to fixed income research at Columbia Threadneedle. I understood what it meant to live inside a spreadsheet, to care about basis points, to speak fluent finance. I was also, at the same time, building Boston Brunch Guide from scratch. 14,000 followers, $20K in brand deals, on weekends, with no permission from anyone. Eventually content won. I left finance to become the first content hire at Mel Robbins, scaled her Instagram from 30K to over a million, learned large-scale production on a live TV set in New York. Then ProfitWell (the best media operation ever built for SaaS), then Founderpath in fintech, then Exit Five. The throughline isn't the industries. It's the compulsion. I have never once waited to be told to build something. Which means I'm probably the only person applying for this job who has personally been the finance analyst sitting at the desk, and spent the last decade figuring out what media would have actually made her better at it.

2013–2018
Boston Brunch Guide
0 → 14K followers. $20K in brand deals. No budget, no permission.
2018–2020
Mel Robbins
First content hire. 30K → 1M+ on Instagram. TV production consulting in NYC.
2020–2021
ProfitWell
Best SaaS media operation in the game. Shows, studio, record viewership.
2022–2024
Founderpath
Fintech. $1M event GM. 10K+ leads from webinar program. FounderLed community.
2024–2025
Exit Five
Newsletter 135% growth. AI content tools. Salary report. 12K webinar registrants.

Building audiences from scratch

Instagram · Personal Brand · First Hire
Mel Robbins: 30K → 1M+ on Instagram
Joined as the first content hire. Built the editorial system, the photography direction, and the distribution strategy that scaled her following 33x — before she was a household name. Also worked as a production consultant on her NYC TV show.
Newsletter · B2B · 40K+ Subscribers
Exit Five: 135% newsletter growth
Grew the newsletter list by 135% to 40,000+ subscribers and doubled clickthrough rates — by treating the newsletter like a media product with its own editorial voice, not a drip campaign with a logo on top.
Instagram · Side Project · $20K Revenue
Boston Brunch Guide: the origin story
Built from nothing while working in municipal finance. 14,000 followers, $20K in annual brand deals, self-taught photography. The first proof that I build things when I see a gap — no budget, no team, no ask.
Social · B2B SaaS · 300% Growth
ProfitWell: 300% social audience growth
Drove 300% audience growth across Twitter, Facebook, and LinkedIn with a new social strategy. Led launch campaigns for two major shows on the Recur Network, setting company viewership records both times.

Formats that travel

Ramp wants to build a media brand, not a content calendar. I've done it twice — once at ProfitWell (SaaS), once at Exit Five (B2B marketing). Here's what the work actually looks like. — why this matters for the role
Report · Data Asset · 7,500 Downloads
B2B Marketing Salary Report
Conceived, built, and launched Exit Five's first salary report — from survey design through to the download page. 7,500+ downloads in under two months. Became the community's most-shared asset of the year and a franchise we could run annually.
Virtual Event · 5K+ Registrants · Live Host
The Ultimate Roast of B2B Emails — hosted live
Produced and hosted this session from Exit Five's first virtual event, bringing together three of the sharpest email marketers in B2B for a tactical breakdown of what's actually working. 5,000+ combined registrants across the event. On camera, unrehearsed, comfortable.
IRL Event · $1M Revenue · GM
SaaSOpen: nearly $1M as event GM
Drove nearly $1M in revenue as GM of Founderpath's owned conference SaaSOpen — leading speaker recruitment, ticket sales, and sponsorship strategy end to end. Built and ran FounderLed, a private community of 100+ SaaS founders, alongside it.
Personal Essay · Voice · Editorial
How to Waste Your Potential
A personal essay about leaving finance to build a brunch Instagram — and what happened next. This is what my writing looks like when there's no brief, no SEO target, and no stakeholder to approve it. Just a point of view and the nerve to publish it.

I'm comfortable on set

Creative Direction · ASMR · Show Launch
ProfitWell: the ASMR show trailer
ASMR was having a moment, so I creative directed a full ASMR-style launch trailer for a new ProfitWell show targeting DTC marketers and retention folks. Concept, script, direction — the whole thing. It's weird in exactly the right way, and it worked.
TV Production · NYC Set · Consulting
Mel Robbins TV show: on-set consulting
Worked as a production consultant on the Mel Robbins TV show filmed in New York City. Saw what live, large-format video production looks like from the inside — the logistics, the crew, and how a personal brand translates to a broadcast format.
Live Host · On Camera · 5K+ Registrants
Comfortable on camera — not just behind it
Hosted Exit Five's virtual events live, on camera, in front of thousands of registrants. Not a presenter reading slides — a host who can hold a room, redirect a conversation, and make the whole thing feel worth showing up for.

I've been in this world

Ramp platform
S&P · Columbia Threadneedle · Origin
I started in finance. On purpose.
Credit ratings at Standard & Poor's. Fixed income research at Columbia Threadneedle Investments. I know what it means to care about basis points, to speak the language of the finance desk, to take this world seriously. I left to build something — but the fluency never left.
Revenue-Based Financing · Fintech · 2+ Years
Founderpath: over 2 years in fintech
Founderpath provides non-dilutive capital to SaaS founders. I ran marketing for over two years — content, events, community, and revenue. The customer was the founder and CFO. The same person Ramp serves. I know what moves them because I spent two years figuring it out.
Community · 100+ SaaS Founders · Monthly
FounderLed: in the room with the audience
Built and ran FounderLed — a private community of 100+ SaaS founders at Founderpath, with monthly sessions and bi-annual in-person retreats. Not just marketing to this audience. Actually in the room with them, hearing what they think, what they need, what they share with each other.
Ramp card

Let's build something worth waiting for.

Ready to
make the call?
So am I.

This site was built as part of the application — because making prototypes is more interesting than submitting PDFs. I'd love to talk about what a Ramp media operation could look like.

Get in touch →
On AI & editorial judgment

Eric asked for builders who default to "how could I automate this." My view on AI in content: it's a multiplier for taste, not a replacement for it. I've used it to scale distribution, build audience tools, and accelerate production — always with a human editorial layer on top.

The tools I built at Exit Five are available to walk through. What I won't do is outsource the point of view to a model. That part has to be human. That part is the whole job.